Type - Quality - Number - Class - Inversions
Music Intervals are the difference in pitch between any 2 notes or tones.
Diatonic Intervals occur between the notes of a diatonic scale while chromatic intervals occur between the notes of a chromatic scale.
- Diatonic Scales consist of tones and semitones
- Chromatic Scales consist of semitones only
Further Definition: There is a system of names which further defines each interval. These are perfect, major, minor, augmented and diminished intervals.
- The term Perfect applies to the Unison (1st), the 4th, the 5th and the Octave (8th).
- The 2nd, 3rd, 6th and 7th intervals may be either Major or Minor.
- The interval between the 4th and 5th in a Diatonic scale is called the Tritone.
The Tritone can be either an augmented 4th or a diminished 5th. This is because of enharmonic spellings. It is actually the same interval but with 2 different names.
Quality & Number of Interval
To name an interval, we need to determine the quality and number of the interval, e.g., a minor third (m3) is the name of the interval. The m (minor) describes the quality of the interval, while the third (3) describes the number of the interval.
Rules for Music Intervals:
- Minor Interval - contains 1 semitone less than a major interval.
- Major Interval - contains 1 semitone more than a minor interval.
- Augmented Interval - contains 1 semitone more than a Perfect or Major Interval.
- Diminished Interval - contains 1 semitone less than a Perfect or Minor Interval.
- Perfect Interval - raised by one semitone becomes an Augmented Interval.
- Perfect Interval - lowered by 1 semitone becomes a Diminished interval.
- Intervals are always counted upwards unless stated to the contrary, with the lower note counted as 1.
- The lower note of a music interval is always classed as the keynote or root of the interval in question, even when inverted.
- A major third is equal to 4 half steps or 4 semitones ( 2 tones)
- A minor third is equal to 3 half steps or 3 semitones (1+1/2 tones)
- 1sts, 4ths, 5ths and 8ths can be made Perfect, Augmented and Diminished.
- 2nds, 3rds, 6ths and 7ths can be made Major, Minor, Augmented and Diminished.
Classes of Intervals
Music Intervals can be classed as Harmonic or Melodic.
- Harmonic - are formed when 2 notes are played together
- Melodic - are formed when 2 notes are played in succession....(one after the other)
They are divided into 2 classes. 1) Consonant 2) Dissonant
- Consonant Intervals - satisfactory to the ear and do not need resolution.
- Dissonant Intervals - unsatisfactory to the ear and generally require resolution
By resolution is meant passing from a dissonant interval to a consonant interval.
Divided into 2 classes: 1) Perfect and 2) Imperfect
- Perfect Intervals: 1sts, 4ths, 5ths & 8ths
- Imperfect Intervals: Major Thirds, Minor Thirds, Major Sixths and Minor Sixths.
2nds, 7ths, 9ths and all Augmented and Diminished Intervals
A simple interval can be inverted by raising the lower pitch an octave, or lowering the upper pitch an octave. To invert, place the lower note above the upper note or vice versa, e.g. the interval C - E upon inversion becomes E - C.
There are 2 rules to remember in determining the number and quality of any simple interval inversion...1. Numerical value of an Inversion:
- The number of the interval and the interval inversion always add up to 9... OR
- Subtract the interval number from 9. The remainder is the numerical value of the Inversion.
2. Quality of an Inversion:
- Major becomes a Minor: e.g. a major 3rd becomes a minor 6th (9 - 3 = 6) Example: C - E is a major 3rd. Upon inversion, E - C becomes a minor 6th.
- Major becomes a Minor: e.g. a major 7th becomes a minor 2nd (9 - 7 = 2) Example: C - B is a major 7th. Upon inversion, B - C becomes a minor 2nd.
- Minor becomes a Major: e.g. a minor 3rd becomes a major 6th (9 - 3 = 6) Example: C - E♭ is a minor 3rd. Upon inversion, E♭ - C becomes a major 6th.
- Minor becomes a Major: e.g. a minor 7th becomes a major 2nd (9 - 7 = 2) Example: C - B♭ is a minor 7th. Upon inversion, B♭ - C becomes a major 2nd
- Augmented becomes Diminished: e.g. an augmented 5th becomes a diminished 4th (9 - 5 = 4) Example: C - G# is an augmented 5th. Upon inversion, G# - C becomes a diminished 4th.
- Diminished becomes Augmented: e.g. a diminished 7th becomes an augmented 2nd (9 - 7 = 2) Example: C - B♭♭ is a diminished 7th. Upon inversion, B♭♭ - C becomes an augmented 2nd
- A Perfect Interval always remains Perfect because it is common to both keys. Let us look at this example. You know that a perfect interval is a 1st, 4th, 5th or 8th. If you subtract any of these from 9, you still get a 1st, 4th, 5th or 8th, which are all perfect intervals. e.g. a perfect 4th becomes a perfect 5th (9 - 4 = 5) Example: C - F is a perfect 4th. Upon inversion, F - C becomes a perfect 5th.
A Tritone is a Music Interval which contains 3 full tones (diatonic) or 6 semitones(chromatic)
In a Major Key, there is one example of a tritone between the subdominant (4th degree of a scale) and the leading note (7th degree of the scale), e.g., in the C Major Scale C D E F G A B there are 3 full tones from F (4th degree) to B (7th degree)
In a Harmonic Minor Key there are 2 tritones:
- Between the subdominant (4th degree) and the leading note(7th degree)
e.g. D Harmonic Minor: D - E - F - G - A - B♭ - C# (3 whole tones between G and C#)
- Between the subdominant (6th degree) and the upper supertonic (2nd degree)
e.g. D Harmonic Minor: D - E - F - G - A - B♭ - C# - D - E (3 whole tones between Bb and E)
Music Intervals in a Chromatic Scale
The following table shows the common names used for intervals between the notes of a chromatic scale.
- A semitone is any interval between two adjacent notes.
- A whole tone is any interval spanning two semitones.
- A tritone is any interval spanning three tones or six semitones.
Initials For Intervals: perfect (P), major (M), minor (m), augmented (A), and diminished (d).
|Semitones||Major / Minor / Perfect||Initials||Augmented / Diminished||Initials||Latin||Initials|
|0||Perfect Unison||P1||Diminished Second||d2|
|1||Minor second||m2||Augmented Unison||A1||Semitone||S|
|2||Major Second||M2||Diminished Third||d3||Whole Tone||T|
|3||Minor Third||m3||Augmented Second||A2|
|4||Major Third||M3||Diminished Fourth||d4|
|5||Perfect Fourth||P4||Augmented Third||A3|
|6||Diminished Fifth||d5||Diminished Fifth||d5||Tritone||TT|
|6||Augmented Fourth||A4||Augmented Fourth||A4||Tritone||TT|
|7||Perfect Fifth||P5||Diminished Sixth||d6|
|8||Minor Sixth||m6||Augmented Fifth||A5|
|9||Major Sixth||M6||Diminished Seventh||d7|
|10||Minor Seventh||m7||Augmented Sixth||A6|
|11||Major Seventh||M7||Diminished Octave||d1|
|12||Perfect Octave||P8||Augmented Seventh||A7|