The Way We Were chords
Barbra StreisandSong Key: A Major
Time Signature: 4/4
Tempo: 70 bpm
Guitar Tuning: Standard (E A D G B e)
Skill Level: Intermediate 🟠
Chords: A, Aadd2, A7, Amaj7, Aadd9, C#m7, C#7, F#m, F#m/E, F#m7, F#7, F#7sus, Dmaj7, D/A, D/E, Bm7, Bm7/A, E7, E7sus/D
Chord Charts & Performance Video
R-H Chord Charts
Preferred Voicings for finger-picking styles:
If Barre Chords are preferred:
L-H Chord Charts
Preferred Chords for finger-picking styles:
If Barre Chords are preferred:
Performance Video
The Way We Were
Song Key is highlighted - Transpose to any other key
Aadd2 A Amaj7 Dmaj7 F#m F#m/E Dmaj7 C#7
Intro: 4/4 | | mm - | | - | - |
F#m F#m/E Dmaj7 E7 Amaj7 F#m7 Bm7 E7
| - | - | - | - |
Aadd2 Amaj7 Dmaj7 F#m F#m/E
1. Mem' - ries Light the cor-ners of my | mind - |
Dmaj7 C#m7 C#7 F#m F#m/E
Mis-ty wa-ter col-or mem - 'ries
Dmaj7 E7 Amaj7 F#m7 Bm7 E7
Of the way we | were - | - |
Aadd2 Amaj7 Dmaj7 F#m F#m/E
2. Scat-tered pic - tures Of the smiles we left be -| hind - |
Dmaj7 C#m7 C#7 F#m F#m/E
Smiles we gave to one an - oth - er
Dmaj7 E7 Amaj7 A7
For the way we were | |
Dmaj7 Bm7
Bridge: Can it be that it was all so sim-ple then?
C#m7 F#7sus F#7
Or has time re-writ-ten ev-'ry | line? - |
Bm7 Bm7/A E7sus E7
If we had the chance to do it all | a-gain - |
Amaj7 D/E E7
Tell me, would we? | Could we? |
Aadd2 Amaj7 Dmaj7 F#m F#m/E
3. Mem - 'ries May be beau-ti-ful and | yet - |
Dmaj7 C#m7 C#7 F#m F#m/E
What's too pain-ful to re - mem - ber
Dmaj7 C#7 F#m7 F#m/E
We sim-ply choose to for-| get - |
Dmaj7 C#m7 Dmaj7 C#m7
So it's the laugh-ter We will re-mem-ber
Dmaj7 C#m7
When-ev-er we re - mem - ber...
Bm7 E7 Aadd2 Amaj7
The way we | were... - |
Dmaj7 Aadd2 Aadd2 Amaj7 D/A F#m Dmaj7 E7sus/D Aadd9
The way we were...| - | | | - | 𝄑 |
Arrangement Details:
- Key Signature: A Major – 3 sharps (F#, C#, G#)
- Time Signature: 4/4 — Four quarter-note beats per measure
- Tempo: Slowly
- Metronome: ♩ = 70
- Voice Range: A3 - D5
Chord Types in This Arrangement:
| Chord Types | Formula | Chords |
|---|---|---|
| Major | 1-3-5 | A |
| Dominant 7th | 1-3-5-b7 | A7, C#7, F#7, E7 |
| Major 7th | 1-3-5-7 | Amaj7, Dmaj7 |
| Minor | 1-b3-5 | F#m |
| Minor 7th | 1-b3-5-b7 | C#m7, F#m7, Bm7 |
| 7th Suspended 4th | 1-4-5-b7 | F#7sus4 |
| Slash chords | 1-3-5/Bass 1-b3-5/Bass 1-b3-5-b7/Bass 1-4-5-b7/Bass |
D/A, D/E, F#m/E, Bm7/A, E7sus/D |
| Extended chords | 1-3-5add2 1-3-5add9 |
Aadd2 Aadd9 |
Guitar Tutorial: Exploring Chord Voicings & Transitions:
- All charts above show options for barre chords and open chords. If you're using a finger-picking style, the open chord voicings are very nice.
- The song may seem a little difficult at first but once you spend some time learning the chords, you will find it flows smoothly and is fairly easy to play.
- The voicings of some chords are very nice, especially F#7 (xx4320) and the transition from C#m7 (xx2424) to C#7(xx3424).
- Aadd2: A Major with an added 2nd (B) = A-B-C#-E.
This can also be written as A(2) - An easy way to play C#m7 and C#7 especially with the transition between the two, is simply use a mini-barre over the top 4 strings on the 2nd fret, then add the other notes according to the charts - easier on the hands too - especially C#m7.
- V2 → Bridge: A7 → Amaj7 are not you're typical A7 and Amaj7 shapes, but these voicings sound much better in this arrangement, creating a dramatic lift from the Verse leading into the Bridge section.
- You may prefer to use the typical Amaj7 (x02120) chord for other parts of the song.
- This song is a great practice number for versatility in chord positions. Many guitarists stick to the same old way of playing certain chords. Here, you will find alternative voicings of typical chords which sound great in certain song structures.
- You don't have to play the slash chord Bm7/A, which is simply a Bm7 chord leading with an 'A' bass note, but it does add a little more interest to the song especially if you're playing solo.
Beginner Guitarists:
If this key is difficult, an alternative is G Major, which uses common open chords and is generally easier for developing players.
If you transpose to G Major and want to play along with the video, you will need to place a capo on the 2nd fret. You can also stick to standard chord types without playing slash chords, sus chords, and extended chords.
Core Chords in G Major: G, G7, Gmaj7, Am7, B7, Bm7, C, Cmaj7, D7, Em, Em7, E7.
Just in case you're unsure of Gmaj7, Cmaj7, and Bm7:
Left-handed Charts:
If you are playing with the video, it is easier to follow the orchestra. The chord changes would normally occur with the lyrics as written above, but Barbra sings in a style which is unique... some notes before the beat, others after the beat etc. The safest way is to follow the music and count the beats until you become familiar with the song... good luck. 💪🎶
Song Details:

- Songwriters: Alan Bergman, Marilyn Bergman, Marvin Hamlisch
- Lyrics Begin: Mem'ries, light the corners of my mind
- Genre: Pop, soft rock, easy listening
- Featured Artist: Barbra Streisand
- Single:
Released: September 27, 1973
B-side: What Are You Doing the Rest of Your Life? - Album: The Way We Were
Recorded: 1969–1973
Released: January 30, 1974
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| Song / Artist | Capo | Key | Core Chords |
|---|---|---|---|
| Alone - The Bee Gees | - | D | D, Em, F#m, G, Gm, A, B, C |
| Guilty - Barbra Streisand | - | C | C, Cmaj7, D, Dm, Dm7, D11, Ebmaj7, Em7, Fmaj7, G11, Gm, Am, Bbmaj7 |
| How Deep Is Your Love - The Bee Gees | +1 | D | D, Em, F#m, G, Gm, A, B, C |
| Stayin' Alive - The Bee Gees | +1 | Em | Em, A7, Bm7, D |
| Too Much Heaven - The Bee Gees | +1 | C→Eb | C, Dm7, Em7, F, G, Am7 → Ab, Bb, Eb, Gm7 |
| Woman In Love - Barbra Streisand | +2 | C#m → Dm | C#m, C#m7, E, F#m, F#m7, G#7, A, Amaj7, B, B7, Bm → Dm, Gm, A7, C |
